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When single men talk about sex, it’s usually in terms of competition, acquisition, domination, and humiliation. When men talk about it, it’s jokey, with a hostile edge. “It never happened.”Ī lot of people are having sex, sometimes in situations or configurations that society wouldn’t approve of (Don is exhibit A), and it’s a constant topic of conversation, but the talk is always framed in a particular way. “I should be on the list for the meeting,” Pete tells her early in the episode, then quickly follows this up with “I’m married now.” Like Pete, Peggy is unhappy in her job and wants something more, although unlike Pete, she’s basically a decent and honorable person who would rather not resort to treachery to achieve her goals.īut much of her anxiety in this episode is about Pete, and the strain of keeping Pete’s secret while he treats her like a second-class citizen because she’s a secretary and a woman in a testosterone-soaked office where Harry Crane kicks off a meeting with a powerful female client by telling a joke whose punch line is a woman’s death.
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It’s a wonder their coworkers haven’t found them out.
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Their shared glances are neither sly nor innocuous. Whenever he sees Peggy, a charge passes between them.
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But on the cusp of his wedding to Trudy, Pete felt a woman up at his bachelor party, then spontaneously cheated on Trudy with Peggy. This and other statements amount to implied promises of fidelity. Pete says trysts with the wife are something “a gentleman never discusses.” He doesn’t react to Ken’s reverie about the coat-check girl at “21,” declines an invitation to Lansky’s, citing “plans” with Trudy (Alison Brie), and says wistfully, “There’s going to be dinner waiting for me when I get home.” He is trying to will himself into an emotional place where he can be happy in a lifelong monogamous relationship. When Pete reenters the office, his coworkers press for salacious details. “Then it must not have been much of a honeymoon,” Don says, and the look on Pete’s face indicates that it’s true. “I missed you, Draper,” Pete says upon his return from Niagara Falls the use of Don’s last name is a too-familiar touch, given their power differential. He does share one key trait with his nemesis: He’s not happy being married. Pete has been following Don around like a yippy little dog since the pilot, simultaneously seeking his approval and plotting to show him up. Because each of their subplots could be lifted out and turned into a self-contained short story (or short film), let’s look at them one by one. At the center are four characters: Pete Campbell, Peggy Olson, Rachel Menken, and Don Draper. The result is an episode that’s mainly about what it means to keep your dissatisfaction a secret, and details the effort and stress the secret-keeping requires, and the pain it causes. There are a lot of dissatisfied characters on Mad Men, and a lot of characters with secrets, and “Marriage of Figaro” combines the two.